9/1 necktie

ABSTRACT

The 9/1 Necktie is an improved invention of neckwear apparel. This improved invention is comprised of a substantially square body member and a neckband of an elongated rectangle of sufficient length to encircle the wearer&#39;s neck more than one full circle around and to encircle the wearer&#39;s neck almost but not entirely twice around. One end of the neckband is connected to the square on one of the corners of the square. The connecting seam points are located equally distanced from each side of the square.

BRIEF SUMMARY

The 9/1 Necktie is an improvement on prior inventions that relatespecifically to neckwear apparel. The objectives of these improvementsover prior inventions are:

1. To provide an innovative necktie designed especially for feminine usethat does not have the styling limitations of

1. Conventional square and rectangular scarves

2. The M. R. Gray Neckerchief, U.S. Pat. No. 2,270,521

3. The E. M. Ross Scarf and, U.S. Pat. No. 2,942,274

4. The E. M. Kaupke Necktie, U.S. Pat. No. 2,502,462

2. In conjunction with the first objective the second objective of thisimproved invention then is to provide a necktie that may be manipulatedby various means of folding, tying, twisting and knotting so as toobtain a minimum of nine different fashion styles with variations beingunlimited.

3. The third objective of improvement on prior inventions is one ofsimplicity of design and manufacture.

4. The fourth objective of improvements over prior inventions is one ofa reduced cost over prior inventions using comparably priced fabricmaterials.

The features of my invention that consititute significant change andimprovement on prior inventions by viture of changes meeting the abovestated objectives are fully described in the detailed description anddrawings that follow.

BRIEF DESCRIPTION OF DRAWING

FIG. 1. is a plan view showing the 9/1 Necktie constructed in accordancewith the principals of this application for an improved invention.

FIG. 2. is a view showing the necktie as it is placed around the neck asthe first step to a variety of neckwear displays.

FIG. 3. shows a pattern for cutting 8 neckties on a folded piece offabric material.

FIGS. 4a and 4b. show the 2 pattern parts and stitching path to be takenon each part.

FIG. 5. shows the 2 parts being connected by a connecting seam.

FIGS. 6a and 6b show the final step of tucking in excess fabric at theneckband ending to be pressed in place for a finished look.

FIGS. 7a through 10c show steps whereby various styles of neckweardisplay may be achieved with the 9/1 Necktie.

DETAILED DESCRIPTION

The 9/1 Necktie is an improved invention of neckwear apparel. Thisimproved invention is comprised of a substantially square body member(1) and a neckband of an elongated rectangle of sufficient length toencircle the wearer's neck more than one full circle around (2) and toencircle the wearer's neck again but less than three times around (3).The neckband is connected (4) to the square on a corner (7) equallydistanced from each side of the square (1). (8), (9) and (10) are theother three corners of the square as given in the followingdescriptions.

The Square may be any size from 6" sq. to 16" sq. The most optimumsquare for manufacturing and styling purposes seems to be 11" sq.finished. It may be composed of 1 or more layers of fabric/material.

The Neckband width dimension may range from 1/4" to 4". The most optinumwidth dimension seems to be 11/2" wide. The length dimension may rangefrom 16" to 40". The most optimum length dimension seems to be 28"-30"finished. It may be cut on the bias or the straight of the fabric. Itmay be composed of 1 or more layers of fabric/material.

The front tying portion of the 9/1 Necktie is a piece of fabric/materialapproximately square (1) (referred to hereafter as square) even thoughcorners may be rounded. The connection of the square to the rectangle ismade on one of the corners of the square, preferrably centered on thecorner thus turning the square on it's bias. See FIG. 1.

When using fine fabric my invention requires three pieces of fabric forthe making of one necktie. Two squares of the same size (1) for the bodymember and one elongated rectangle for the neckband (2) and neckbandending (3). Part (1) is cut on the square; Part (2) and (3) are cut onthe diagonal. FIG. 3 shows a pattern for cutting 8 ties. The pattern canbe changed to accomodate any number of ties at a single cutting or forthe length of fabric being used. There is no waste of fabric except inthe triangles created between the squares (1) and the rectangles (2) and(3).

Some heavy fabrics may use only one square with a finished edge ratherthan two parts sewn together. Each tie uses only one neckband. Althoughthe neckband (2 and 3) could be cut on the straight of the fabric itwould not tie as well; therefore it is cut on the bias.

Square (1) and the neckband (2 and 3) are usually sewn separately beforesewing them together. See FIG. 4.

Two squares (1) are sewn together, front sides of fabric facing, leavingunsewn one of the corners (7). For best results the unsewn portionshould be equal distance to corner from each stopping point. This willplace the square on a bias when connected with the neckband. The twosquares sewn together are turned inside out so that now there is onesquare made of two pieces of fabric that are joined back to back.

The neckband of the necktie is of fabric/material approximately anelongated rectangular shape formed into a tube-like member.

The neckband is one piece folded together lengthwise front side facingin. Sew the long edges together sewing one end crosswise (3). (NOTE: Themanufacturer's identification label is sewn into the long edge near theend of (3) during this step of the sewing process.) Turn inside out sothat fabric front is now back to back.

Using the unsewn corner (7) of the square and the unsewn end (2) of theneckband with the right sides of the fabric to the outside insert unsewnedge of the neckband (2), preferrably with the seam centered, intounsewn corner (7). See FIG. 5. Turn unsewn edge of corner (7) to theinside. Top stitch (1) and (2) together through all layers of fabric.This is the connecting seam (4).

The process of connecting the square (1) with the neckband (2) may bereversed by inserting the corner point (7) into the unsewn end of theelongated rectangle without in any way altering the design of theimproved invention.

Other methods of connecting the two parts together may be used, i.e.,fabric adhesives, stapling, etc., however, sewing is the preferredmethod.

Pointed sewn edge of neckband ending (3) is made by tucking excesspuckering of fabric into itself, centered, and pressing into place. SeeFIGS. 6a and 6b.

Other neckband endings could be used wihtout altering in anyway thestyling capabilities of the tie, but this is the most stylish, andtherefore preferred, neckband ending.

Tie is ready to press and wear.

This invention as an improved invention over prior art (as in the GrayInvention, U.S. Pat. No. 2,270,521) is in the deletion of the secondflap, the deletion of buttons/button holes, and the extension of theneckband of such a length to create a neckband ending. (See FIG. 2.,element 3). The neckband ending (3) is not merely an extension of aneckband (2) of which the purpose is to encircle the neck and provideconnection for the body members. The neckband ending (3) serves it'svery own purpose and is a necessary part of the new invention. Thenarrow neckband goes around the neck (2) leaving the square (1) andseveral inches of the neckband ending (3) at the throat. (See FIG. 2).The square (1) and neckband ending (3) are tied/folded/twisted in somefashion, or manipulated together to create the various fashion styles.The ability to manipulate the square (1) and neckband ending (3)together makes this tie unique from all other ties and scarves. Thenarrow neckband removes a lot of unwanted bulk from around the neck butleaves enough length (4) to manipulate the styling of the square. Thesquare (1) provides enough fabric, positioned at the appropriatelocation to create the various styles described (and some styles thatare not described). See FIGS. 7a-10c for drawings of the tie beingmanipulated into various styles.

The purpose of the band in the Gray invention (U.S. Pat. No. 2,270,521)is described as being a connection for the body members. "--fasteningarrangement adapts the band for engagement about necks--. In use theband is engaged about the neck and arranged so that the body members--".No other purposes for a neckband is described.

The significant changes in my invention over the Ross Scarf (U.S. Pat.No. 2,942,274) resulting in an improved invention are similar to theimprovements over the Gray Neckerchief. The first change is the deletionof a body member with the remaining square body member (1) centered on acorner (7) of the square (1) being the second change. A third changewould require that the body member be more substantially square thanrectangular in shape. And again the most significant change is in theaddition of the neckband ending (3) to the 9/1 Necktie. Although theneckband ending (3) is an extension of the neckband (2) (rather than aseparate part connected) it has its own functions rather than thefunction of a neckband. The Ross invention has a "neckband of sufficientlength to almost, but not entirely, encircle the neck of the user--". Noother purpose for a neckband is described in the Ross invention.

There are no similarities of construction between the E. M. KaupkeNecktie (U.S. Pat. No. 2,502,462) and the 9/1 Necktie. The Kaupke ismore commonly recognized as a necktie for masculine use whereas the 9/1Necktie is specifically designed for feminine neckwear displays. The 9/1improvements described are not that the 9/1 is an improved necktie formasculine wear. The improvements described are that the 9/1 Necktie isnot limited in styling as is the Kaupke Necktie and that manufacturingprocess is much simpler. The 9/1 Necktie is able to replicate thefinished look of the Kaupke Necktie in a shorter length with a varietyof widths being possible (See FIG. 7a for detailed drawing of how thisis accomplished).

To understand the unique tying capabilities of the 9/1 Necktie pleasesee the attached drawings, FIGS. 7a through 10c for instructions fortying.

The first objective of making improvements over other scarves andneckties in terms of limitations of styling is accomplished in thefollowing ways:

I. Conventional square and rectangular scarves, while capable of severalneckwear displays, cannot in any manner be folded and knotted toreplicate the look of a Necktie. The 9/1 Necktie can be tied in thetraditional 4-in-hand style by following these instructions that aregraphically illustrated in FIGS. 7a-7h.

1. Before placing neckband (2) around neck, fold on matching lines toyour desired width see FIG. 7a. (8) and (10) will be folded beneath thetie square. Attach folds in place with a small safety pin on theunderside or use a tie tac or broach on the top side going through alllayers or press.

2. Place neckband (2) around your neck with the neckband ending (3)where you want it to end See FIG. 7b. All tying is done with tie square(1) and neckband (2) nearest connecting seam. Neckband end (3) remainsin place See FIG. 7b.

3. Tie square (1) is on top of neckband end (3). Bring folded tie square(1) underneath neckband end (3) see FIG. 7c.

4. Double back the direction of the folded tie square (1). See FIG. 7d.This forms a complete loop around the neckband end (3).

5. Bring folded tie square (1) underneath neckband (2) with (9) in anupwards direction. See FIG. 7e.

6. About midway of the folded tie square (1) bend the tie squaredownwards. See FIG. 7f. Place (9) into the loop created by the wrappingof tie square. See FIG. 7g.

7. Pull (9) until the entire folded tie square comes through the loop.The connecting seam (4) should be covered by this loop. See FIG. 7g.

8. Tighten the tie by holding the knot with one hand and pulling on theneckband end (3) with the other. Loosen the tie by holding the knot andpulling on the neckband (2) or tie square (1) just above the knot. SeeFIG. 7h.

II. The M. R. Gray Neckerchief (U.S. Pat. No. 2,270,521) cannot be wornin any fashion other than the single styling for which it was inventedwithout changes being made to the invention.

The 9/1 Necktie, while not being limited to this style, is able toreplicate this style by following these instructions that aregraphically illustrated in FIGS. 8a-8f.

1. Place Neckband (2) around the neck with tie square (1) very high atneckline. See FIG. 8a.

a. Tie square (1) should be on top of the neckband end (3) for theascot.

b. Neckband end (3) should be on top for the jabbot.

2. Loop tie square (1). See FIG. 8b.

a. Under and over the neckband end (3) for the ascot

b. Over and under the neckband end (3) for the jabbot.

3. This forms a very wide loose slip knot. See FIG. 8c.

4. Wrap neckband end (3) around neckband (2) a second time and tuck thelast 1" to secure. See FIG. 8d.

5. Repeat step 2 in a very loose way. Points (9) and (10) should bepositioned on shoulders.

6. Spread tie square (1) for desired effect. This tie will stay in placebetter if points (9) and (10) are pinned in place (beneath the blouse orto bra straps). See FIGS. 8e and 8f.

III. The E. M. Ross scarf (U.S. Pat. No. 2,942,274) while capable ofnumerous neckwear displays is not capable of replicating the 4-in-hand,Windsor, Half-Windsor or any variations of styling derived thereof.

A Bow similar to FIG. 3 of the E. M. Ross drawing can easily bereplicated in styling with the 9/1 Necktie by following theseinstructions that are graphically illustrated in FIGS. 9a-9f.

1. Place neckband (2) around the neck. Connecting seam (4) should belocated where you would like for the knot to be when bow is completed.See FIG. 9a.

2. Make a slip knot. Point (9) should drop straight down from the neckwith the neckband end (3) directly on top of it. See FIG. 9b.

3. Beginning at point (9) make small accordian pleates all the way up tothe slip knot at connecting seam (4). See FIGS. 9c and 9d.

4. Wrap the neckband end (3) around the pleats gathered at (4). Continueto wrap until only 1/2"-1" of neckband end (3) remains. See FIG. 9e.

5. Tuck neckband end (3) underneath a couple layers of wrapping tosecure the bow. See FIG. 9f.

VI. The E. M. Kaupke Necktie (U.S. Pat. No. 2,502,462) is limitedentirely to the very styles that the E. M. Ross Scarf is incapable ofreplicating, i.e., a 4-in-hand, Short 4, Windsor or half-Windsor. Asdescribed above the 9/1 Necktie is capable of replicating the 4-in-hand.With simple variations on the folding and tying the 9/1 Necktie canreplicate any style that can be tied from a Kaupke Necktie. Unlike theKaupke, the 9/1 is not limited to 4-in-hand variations but as alreadydescribed can tie Bows and Ascots. In addition to these styles the 9/1can also tie a Rosette by following the instructions that aregraphically illustrated in FIGS. 10a-10e.

1. Place neckband (2) around neck. Slip knot at connecting seam (4). SeeFIG. 10a.

2. Place neckband end (3) in center of tie square. See FIG. 10b.

3. Roll points (8) and (10) towards center of tie square. Neckband end(3) is now inside rolled tie square (1). See FIG. 10c.

4. Twist rolled tie square until it begins to buckle. See FIG. 10c.

5. The buckled twist will begin to make a circle around the slip knot.There will be a hole in the middle of the circle. See FIG. 10d.

6. Working from the center, wind around to the back of the circle as thecircle repeats until only 1" of rolled tie square remains. See FIG. 10d.

7. Coming from the back tuck the ends into the hole formed in thecenter. Do not pull ends all the way through the hole. See FIG. 10e.

The improvement over the Ross Scarf in this particular style is thattwice as much fabric in the body squares is going to make a largeRosette that is much too bulky for comfortable wearing. Not only wouldthis also be true of the Ross Neckerchief but the tabs and buttons wouldnot lend themselves at all well to forming the center of the Rosettewhich is necessary to securing this style in place.

The 9/1 Necktie is capable of tying styles replicating all of the stylesthat can be tied from (1) the conventional scraves, (2) the M. R. GrayNeckerchief, (3) the E. M. Ross Scarf and (4) the E. M. Kaupke Necktiewithout the limitations that each of those 4 constructions of Neckwearnow have.

In order to meet the second objective the 9/1 Necktie is specificallydesigned to overcome the limitations of the above 4 articles of neckwearin that it is capable of tying NINE styles. These nine styles includebut are not limited to the following:

1. Traditional 4-in-hand;

2. Short 4, a variation of the 4-in-hand that is knotted several inchesbelow the neckline and the tie front is much shorter than the tie frontof the 4-in-hand;

3. Le-Scarf, a style that replicates conventional square scarves;

4. Rosette a style more commonly made in a "finished" form or styled bytwisting and tying conventional rectangular scarves;

5. Florette, again a style commonly manipulated from conventionalrectangular scarves;

6. Bow Tie, a style most nearly replicating the E. M. Ross Scarf;

7. Small Bow Tie, again a style replicating either the E. M. Ross Scarfor a bow made from a conventional scarf but on a smaller scale;

8. The Flapper Bow, a style of bow commonly made from small conventionalsquare scarves;

9. Ascot/Jabbot, styles replicating the M. R. Gray Neckerchief.

Multiple variations on each of these styles are possible. It would beimpossible to determine exactly how many in that even the slightestvariation in a knot, a fold or a twist can change the stylingsignificantly.

The third objective, simplicity of design and manufacture, isaccomplished by making use of the simplest design possible.Specifically, this improved design:

1. Uses only the amount of fabric essential to meet the first 2objectives;

2. Keeps the steps in the labor process to fewer than the steps requiredby the three patents referenced;

3. Makes use of fewer parts than the three aforementioned patents;

4. Requires fewer linear inches of stitching than the three citedpatents and;

5. Streamlines the cutting process whereby labor is further reduced andwaste of fabric is kept to a minimum of unuseable scraps.

In making comparisons between the 9/1 Necktie and the three referencedpatents each of the above examples of improvement will be more fullyexplained by the following chart.

    __________________________________________________________________________    IMPROVEMENT COMPARISONS                                                       9/1 Necktie          Gray Ross Kaupke                                         __________________________________________________________________________      Uses minimal fabric,                                                                           1.                                                                              Gray and Ross require two flaps                            1 double sided flap                                                                              of double sided fabric;                                    and 1 neckband     Kaupke requires 2 elongated cuniform                       (See FIGS. 1 and 4)                                                                              sections as well as a lining.                              Six steps:       2.                                                                              In addition to the 6 steps described                     1.  lay fabric and pattern                                                                         in the 9/1 process the Gray patent                       2.  cut              requires sewing of 1 additional                          3.  sew square, 1    square plus sewing on 2 buttons and                          continuous seam  2 button holes. Ross patent re-                          4.  sew neckband, 1  quires an additional square plus                             continuous seam  double seaming of the neckband. The                      5.  Sew neckband and square                                                                        steps in Kaupke are rather numerous                          together         as this article requires much folding                    6.  Press            during the sewing process and has                          (See FIGS. 3-6)    a lining as well.                                          Only 2 parts, a square and                                                                     3.                                                                              Gray requires 3 parts, Ross requires                       a neckband         3 parts and Kaupke requires 4                              (See FIGS. 4-5)    (2 outer parts plus 2 parts for the lining).               Linear inches of stitching minimum                                                             4.                                                                              Gray requires double, Ross and                             (approx. 60") (See FIGS. 4-5)                                                                    Kaupke requires triple.                                    Cutting - ratio of square                                                                      5.                                                                              Gray and Ross requires additional                          to neckband and uniformity                                                                       cutting per tie because of the additional                  of parts allows for edge to                                                                      flap. Kaupke parts cannot be cut edge to                   edge cutting of parts with                                                                       edge because of the differences in sizes                   only scrap waste.  of the parts. Also requires additional                     (See FIG. 3)       cutting for lining.                                      __________________________________________________________________________

The fourth objective, reduction of cost, is also met by meeting theconditions as set forth in the third objective. Using comparibly pricedmaterials the 9/1 Necktie cost less to manufacture and is therefore animprovement on prior inventions because:

1. Requires less fabric, therefore more end product for the same amountof yardage/dollars.

2. Less waste means more end product for the same amount ofyardage/dollars.

3. Requires less labor, labor takes time and laborers on a clock longercost more money per end product.

What is claimed is:
 1. An article of neckware comprising an elongatedrectangle neckband cut on the diagonal and formed into a tube-likemember, a body member cut on the square having at least one cornerpoint, said body member being attached together at said corner pointwith said tube-like member being of sufficient length to encircle theneck of a wearer more than once, said neckband tube-like member beingcooperable with the body member whereby the members may be fastenedaround the neck of a wearer and formed into a folded, twisted and/orknotted ornamental design.
 2. The article of claim 1 wherein theornamental design is in the form of a traditional necktie.
 3. Thearticle of claim 1 wherein the ornamental design is in the form of arosette.
 4. The article of claim 1 wherein the design is in the form ofan ascot.
 5. The article of claim 1 wherein the design is in the form ofa bow tie.
 6. The article of claim 1 wherein said body member is formedof two parts of the same size, joined together, back to back.
 7. Thearticle of claim 6 wherein the tube-like neckband member is insertedinto said body member at said corner point before joining the twomembers together.